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A few years ago, a friend asked me what my comfort movie was.
“I have a couple,” I said.
Nina kervel bey biography of michael
“But probably the first one that comes to mind is this French movie, La Faute à Fidel!Blame It on Fidel, in English.”
She’d never heard of it. “What’s it about?”
“It’s about a nine-year-old girl in the ‘70s whose parents become socialist activists.”
“OK,” said my friend.
“That … sounds like a pretty weird comfort movie.”
Maybe it is. But maybe it’s not. When I first saw it, it was 2007, I had recently turned 20, and I had just realized I could see movies by myself. It was a time of great change in my life, though I didn’t recognize it as such.
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Somehow, subconsciously, I felt drawn to a movie that was all about change.
In Blame It on Fidel, the debut film by Julie Gavras, Anna de la Mesa is living a comfortable life in a Parisian townhouse with her brother and parents.
She loves her Catholic school, her Cuban nanny, Filomena, and stories about princesses. But then her aunt and